A good story has a protagonist, goals, and opposition. Opposition includes obstacles and forces of nature, but typically opposition also takes the form of a character. Sometimes the opposition is another protagonist, leaving the audience to choose who they want to root for, but many stories include at least one villain, a character that is definitively “wrong”. Villains can be narrative or mechanical.
.villains
A Fork in the Road 102-12
III. Crisis, Epiphany, and Resolution
In the beginning the crises are small, but over time they build in magnitude, pushing the character closer to a breaking point. Eventually there comes a moment when the stakes are high, and the character is uncertain. Whether through anger, fear, despair, or desire, the character is torn between the call to be a hero, and the temptation to be a villain.
Lamentable Flaws 102-10
1. Deceiver
Lying is one of the broadest character flaws; ranging from white lies to cruel deception. When it comes to liars there are three parameters that govern whether lying is a minor flaw or a serious transgression: how frequently the character lies, how significant their lies are, and their motive for lying.
Villains 102-8
A good story has a protagonist, goals, and opposition. Opposition includes obstacles and forces of nature, but typically opposition also takes the form of a character. Sometimes the opposition is another protagonist, leaving the audience to choose who they want to root for, but many stories include at least one villain, a character that is definitively “wrong”. Villains can be narrative or mechanical.